Immigration is a political and social issue whose solutions have always seemed nebulous to me. It’s immensely complex, and I admit I’ve done little research to understand its intricacies. But from the surface and from a few immigrant friends, I know a few, very general things. First, it’s very hard to obtain citizenship in the U.S. Second, and contradictory to my first point, it’s just as hard to maintain any type of visa. Lastly, and most importantly, the way we treat immigrants — be that through policy or social interaction — is incredibly inhumane, leading to the “othering” effect with unhealthy stereotypes.
The odd thing is that people who set and maintain devastating policies or who speak such harmful words about immigrants likely have never talked to an immigrant — documented or undocumented — to understand their struggle and the heartbreak that led them to pursue the illusive American Dream. This point illustrates how storytelling — or qualitative data if you will — is just as or even more important than statistics and how storytelling can shape our morals and beliefs. Stories like Patsy are integral for our society to progress and for us becoming a little more compassionate.
Patsy tells a story that few of us probably know but one that exists all too frequently, that of the undocumented immigrant. The eponymous main character gives up her heartbreaking and unfair life in Jamaica for love and freedom in the States only to be deceived by those who promised her so much — including Americans and their precious ideals.
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Let’s be frank: There’s a lot of shit in the world today. And 2020 alone is the largest dumpster fire imaginable. So with all the sadness, injustice, hypocrisy, and frustration in the world, I try to find joy wherever possible.
Let me be frank again. There isn’t an ounce of joy in A Little Life. So was this the greatest book for me to be reading or the smartest choice right now when I’ve consciously tried to avoid depressing books in this terrible year? No, no it was not.
But was it a good book? Definitely. It was beautiful and moving and insightful and heartbreaking and possessed all the qualities that make great literature so powerful. And yes, I am glad I read this book and so thankful for my coworker in Germany (yes, Germany — what a saint) who bought this book for me after our many, many discussions about how much he loved it.
Seriously, though, I could have done without 800+ pages of sadness.
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With everything happening in the world right now, it’s important that we don’t forget an important celebration: Pride Month!
June has to be the most loving and colorful month of the year. That’s because for 30 days we celebrate that love is love regardless of gender or sexual orientation. And it occurs in June, so that we can remember and celebrate the Stonewall riots that happened 51 years ago, giving rise to equality for the LGBTQ+ community.
Despite those riots and the progress that they catalyzed, it would be misleading and ignorant to assume the LGBTQ+ community can love and live the same way straight, cisgender people can. Narrow-mindedness runs rampant in the world, including in our own backyards with a president who doesn’t govern for all people. In addition to outright discriminations, social constructs still make it difficult for people to come out and love freely.
That’s why we need books like Red, White & Royal Blue, a 2019 novel that throws all harmful conventions out the window and asks what some will definitely perceive as a radical question: What if an immediate member of the first family were gay?
If you read this book and did not root for Alex Claremont-Diaz and Prince Henry, please leave this blog or challenge yourself to understand why their relationship is the fictional tale we need to make all love equal.
Happy Pride Month!
Source: Vanity Fair
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I learned a ton in journalism school that I often sprinkle into my blog posts — much more than the curriculum promised. For example, I finally recognized why, as a kid, I always asked the million questions that annoyed my family. I was and always will be a curious person, which is a direct reflection of my passion for school and learning. I’m grateful to have realized it’s possible to make a career focused on asking questions and discovery.
Another realization I had that wasn’t directly taught in lectures or in textbooks but by my professors through on-the-job training is that writing and reporting without bias is impossible. No matter how hard we try, our experiences always find a way to creep into the things we feel and by extension what we say and write. Even the profession itself has bias. If you’re a journalist, that means you care about people, storytelling, and the truth. Those feelings catalyze bias too.
This is basically a long way for me to get to my main point here: Bias reflects our opinions of and experiences with books too. I’d wanted to read Here Comes the Sun for quite some time. I mean, look at that cover. It’s gorgeous — though don’t let that fool you into thinking it’s a sunny read. It tells stories of disenfranchised and disadvantaged yet strong women living in a world most of us could never imagine. It’s a book to which someone like me — a former journalist, a curious cat, and a storyteller — would be drawn.
But if we are constantly being influenced by our surroundings, then my initial opinions of this book stemmed from the four walls of my apartment and constant news reports of the COVID-19 pandemic, which coincided with my start to this book. My emotions have been on the most intense and terrifying roller coaster, and every time I picked up this novel, its hopelessness engulfed me. At times, I thought about not finishing it. Once I realized, though, that my personal experience in the present was affecting my experience with the novel, I could appreciate it for all it was professing: This world has suffering so great and people have to make choices so tough that they can’t be comprehended.
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I’ve always proclaimed one of the best things about literature is its ability to tell hidden or disgraced stories and to open our eyes to dark corners of the world. It saddens me — though I’m grateful it happened — that literature taught me about the AIDS crisis of the ’80s. Shouldn’t I have learned more about this growing up and in school? Honestly, my ignorance as a 27-year-old astonishes me.
Did I fully understand the power and effects of this catastrophe in the 80s? How it ripped through a community and denounced a way of life all over again? How it took us five steps back on our way toward social justice? How the scars of those it affected live prominently for the rest of their lives?
I never understood any of this until Tell the Wolves I’m Home came into my life. It was reinforced and explained through different perspectives with The Great Believers just a few weeks ago. As a kid, my history classes either conveniently glazed over this time in American history, or the school year conveniently ended before we made it this far in America’s story. Fortunately, we have authors, such as Carol Rifka Brunt and Rebecca Makkai, who refuse to let these tragedies go untold.
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